Fortunately, the V for Vendetta movie was much better than I thought. It's, to quote a critic, "a vividly vivacious and voluptuous volley of a very violently fun time". I saw it in IMAX, meaning more sound (there are about twenty speakers, most of which are behind the screen) and huge digital picture. And only two previews! The movie was surprisingly true to the comics with suberb performances by Natalie Portman and Hugo Weaving. Excellent writing as well. The story opens with the story of Guy Fawkes and his unsuccessful attempt to destroy the British Parliament over 400 years ago, then quickly moves to the movie's present day, where government spokesman Lewis Prothero gives a speech showing England to be ruled by a religiously fascist regime.
Evey Hammond, a young woman who breaks curfew, is caught on the street by members of the secret police, known as "fingermen." They are about to rape Evey when a man dressed in black, wearing a Guy Fawkes mask and armed with a set of daggers, intervenes by either incapacitating or killing the fingermen. The man introduces himself to Evey as V and takes her to a London rooftop to show her an event. As the clock strikes midnight on the fifth of November, Tchaikovsky's "1812 Overture" begins playing through the city's PA system and the citizens of London go outside, astounded, to listen to the symphony. In the symphony's climax, The Old Bailey is blown up in a spectacular display of fireworks.
The Norsefire regime, the totalitarian regime of Britain headed by High Chancellor Sutler, explains the destruction of The Old Bailey as a voluntary act of emergency demolition on the part of the government. The police are also dispatched to find Evey, who was identified based on closed-circuit television images showing her in the company of V.
The next day, V takes control of the state controlled British Television Network (BTN) by threatening to bomb it. V plays a recorded message in which he declares that he was responsible for the destruction of the Old Bailey, and urges the populace to take a look at their government and rise up with him a year from today (November 5th), when he will destroy the Parliament building. Coincidentally, Evey works at the BTN. The police under Chief Inspector Eric Finch arrive at the BTN originally with the intent of arresting Evey, but ends up dealing with V instead. V is soon stopped by Lt. Dominic at gunpoint, but Evey maces the officer. Evey is rendered unconscious by the detective, who is himself subdued by V. V takes the unconscious Evey with him.
Evey awakens in V's underground lair, which is richly stocked with literature and works of art that he has "liberated" from the censors. He explains to her that she will need to remain with him for the next year, because even the limited information she has about him could conceivably allow the police to locate his den.
V begins killing people, starting with Lewis Prothero, the Norsefire talking head. Finch tries to deduce V's identity based on his victim selection. Finch begins to suspect a cover-up, as the victims all appear to be tied to a former detention facility, whose records are conspicuously absent from the government archives. Evey spends an indeterminate amount of time with V, learning, among other things, that he has been heavily scarred in a fire. She eventually volunteers to assist V in one of his missions, apparently in order to escape. She dresses as a young girl to gain access to a bishop, making V's assault possible, but Evey flees when V attacks the man. She hides with Gordon Dietrich, one of her former superiors at BTN, whom Evey had planned to meet before she was attacked at the beginning of the film. He shows her his collection of contraband and reveals that he is a closeted homosexual who has been forced underground by the Norsefire regime; he tells her that if his house is ever searched, the charge of harboring a fugitive will be the least of his problems, and invites her to stay.
Finch's investigation proceeds, albeit slowly. Speaking with the coroner about one of V's victims, he mentions that V has been leaving a rose with each victim. Recalling that the coroner had once been a botanist, he shows her one of the flowers. She appears rattled, but passes it off by saying that she had thought that breed of rose extinct. At night she is awakened by the appearance of V in her bedroom; she knows V's identity and apologizes to him before V kills her. Finch, having just discovered that the last surviving senior officer from the detention facility is actually the coroner, hurries to her home, but arrives too late to save her. Finch finds and reads her diary, and brings it to the Norsefire council, where Sutler commands him to destroy it and forget its contents. The diary tells the story of the detention camp's medical experiments, which were focused on germ warfare. Almost all of the prisoners died from the experiments. But one, housed in cell "V" (in Roman numerals), not only survived but appeared to gain unusual strength and agility. He apparently destroys the camp through some type of explosion and escapes.
Gordon produces an episode of his show that mocks both the V plot and the Chancellor, reasoning that his popularity will protect him from any truly dreadful consequences. When the police raid his house anyway and attack Gordon, Evey escapes, but is captured by a man in a police commando's uniform. She is held prisoner, shaved, tortured, and interrogated for information concerning V but refuses to divulge anything. She derives strength from a letter she finds hidden in the cell wall. It is the autobiography of Valerie, a former prisoner incarcerated and presumably executed for being a lesbian. When given one last chance to inform on V to escape her execution, Evey says she'd prefer to die.
I have had a strict "no spoiler" policy on my site for a long time. The rest is for you to find out.
Wednesday, March 29, 2006
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4 comments:
So the fans (real people) seem to like it even if some of the critics are unimpressed with it. That's heartening!
I'm more likely to along with the fans. We got burned when we listened to the critics' opinion of "History of Violence" and ended up HATING it. Never again!
V for Vendetta was great. It's was pro-terrorist, but anti-totalitarian as well - esentially the film's message was that Osama might be OK, but Saddam Hussein deserves to die. Interesting point of view in a world where many people claim that Saddam had no ties to Al-Quaeda - and that argument is used in order to defend Saddam, not to defend Osama Bin Laden...
hey whats up ostome site you raelly are cool to have this and everything i think its really cool that you've achieved many cool things
OK, Anonymous, I wonder what program you used to write that?
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